My art is composed of the sculpture itself and the process which brought the sculpture into existence. The importance of process is the result of my problem solving abilities as an engineer.
The sculptures I create are primarily made of steel welded together into carefully designed geometric abstractions. The process is as important as the work and becomes apparent with the presence of my welds. Most recently I have incorporated into my work the versatile triangle and more specifically the golden triangle and triangles with two sides in the golden ratio.
Over time, I have realized that certain aspects of my sculptures have become more important to me than others and dominate my work individually or together: the presence of curves, significant bases, texture, and patina…
• The rods I bend or shapes I cut from steel sheets and bars, cause the viewer to take a trip along the curved work. The curves are strong and definite yet soft and feel somewhat gentle. Even when the piece is constructed of strong shapes such as triangles, the flow of the triangles from one to another will often result in what is referred to as a rhythm line which changes as the position of the work changes.
• The bases I develop are not just there to hold the work but follow the essence of the work and are a significant part of the user’s experience.
• I will often add texture on top of the basic steel. I like the contrast this texture affords and the interest it arouses.
• Finishing the sculpture with unique patinas has become significant in my work and arouses the curiosity of the viewer. I have developed patinas which make the steel warmer and friendlier and which may change over time.
There was a time when I tried to break away from my engineering background while making my sculptures but I have learned to embrace and enjoy that aspect of my art. I understand that this is how I view my work today – where process and material share in the finished product.
Marc Bratman 